LONDON FILM WORKS
Courses
Film Fans, Hybrid, Industry • Directing
18th July 2026 to 26th July 2026

Precision in Performance: Blocking & Directing Actors

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Summer School, Directing, Directing Actors
This eight day intensive is designed for directors with a working knowledge of camera, coverage, and production protocol who are ready to strengthen their ability to shape performance with clarity, nuance, and confidence. Whether you’ve directed several projects or are beginning to step into more ambitious work, this program offers a focused, high-level progression that builds authority in the rehearsal room and on set. Enrolment is limited to eight participants to ensure generous rehearsal time, close mentorship, and precise, practical feedback tailored to each director’s growth. You will develop the clarity, discipline and language required to: • Rehearse actors with purpose • Shape truthful performance • Communicate playable direction • Sustain performance under time pressure Each director will rehearse with professional actors in a film school environment and hone their directorial skills in addition to learning how to use the space around them.

Course Info

Date:
18th July 2026 to 26th July 2026
Times:
09:30 – 18:30
Duration:
8 Days
Fee:
£1,699
Capacity:
8 Participants

What’s Included:

The principal focal point of this course is to purely hone the Directorial craft of the participants. Hence this workshops, strips the fluff and distils the course to the brass tacks of Directing. Through the course of the 8-day course, you will leave with robust knowledge in the following aspects:

  • Communicating with actors clearly and confidently
    • Structure rehearsals with discipline and purpose
    • Integrating blocking with actor intention
    • Maintaining performance quality under time pressure

By the end of the course, you will have developed a refined and practical understanding of how to draw truthful, dynamic performances from your actors. You will learn to recognise what an actor needs in order to deliver their strongest work, how to guide them with clarity and purpose, and how to shape behaviour in a way that supports the emotional spine of the scene. You will also gain confidence in integrating purposeful movement and blocking, using the actors’ placement, rhythm, and physical choices to enhance narrative tension and drive the intensity of your story forward.

Schedule:

Day 1 to 5: Working with Actors

The first 5 days would be focused entirely on rehearsal, text and actor director collaboration and would explore:

  • How actors train and prepare
    • The director actor relationship
    • Giving clear, playable direction
    • Objectives, action and subtext
    • Avoiding over direction
    • Structuring rehearsal with intent
    • Understanding rhythm and emotional beats

Participants work through practical exercises, alternating perspectives to understand both sides of the process. Midweek sessions include structured rehearsals with professional actors using scenes selected by Udayan. This ensures parity across the cohort and keeps attention on craft rather than material.

Day 6 & 7: Main Scene Rehearsals by incorporating Blocking

The second phase translates rehearsal into actual rehearsals and performance. Each participant will be provided a script for scene that does not include more than 2 actors.

Each director will:

  • Prepare and rehearse a two-character dramatic scene
    • Focus on shaping performance through takes intensive prep
  • Be organized enough to rehearse and prepare the scene within a span of 3 hours and subsequently have the actors enact it in front of the other participants
  • Understanding how to incorporate movement and blocking for the actors and thereby push the envelope of storytelling.
  • Learning how to dissect a script thoroughly for performance and being prepared with all answers for the actors.

 

Day 8: Sessions on Filming the Actors & Cinematography

Udayan Prasad will take a session on the importance of point of view when filming a scene and learning the various aspect of camera coverage when filming scenes. This session will offer a concise yet informative introduction to the fundamentals of camera coverage and the principles behind effectively filming actors. It is designed to give emerging directors a practical understanding of how shot choices, angles, and visual perspective shape performance on screen, providing them with essential tools to approach the filming process with greater confidence and intention.

Who Is This For:

This course is designed for directors who:

  • Have directed short films or completed basic filmmaking training
  • Have a basic understanding of production workflow
  • Want to strengthen their work with actors
  • Are ready for rigorous and concentrated development

It is not suitable for beginners.

Participants may be asked to submit previous work as part of the application process.

Tutor

Udayan Prasad

Director

Udayan Prasad

Director

Udayan Prasad is a multi-award-winning director whose earlier films include the MY SON THE FANATIC by Hanif Kureishi and BROTHERS IN TROUBLE, winner of the Golden Alexander Award at the Thessaloniki Film Festival. He also directed THE YELLOW HANDKERCHIEF starring William Hurt, Maria Bello, Kristin Stewart, and Eddie Redmayne, which premiered at the Sundance Film Festival and was released in the US by Goldwyn Films.

Television projects includes several with the British writer Simon Gray including RUNNING LATE, winner of the Gold Gate Award for Best Television Feature. And two BAFTA-nominated collaborations with Alan Bennett: TALKING HEADS 2: PLAYING SANDWICHES and 102 BOULEVARD HAUSSMANN, winner of a second Gold Gate Award.

Recent work comprises of BECOMING ELIZABETH and SELECTION DAY, an adaptation of Aravind Adiga’s Booker prize-winning novel for Seven Stories and Netflix, on which Udayan was lead director and executive producer. He also helmed the closing episodes of BBC TV’s THE MUSKETEERS.

When not in production, he runs workshops on directing and screenwriting at several film schools including The London Film School, The Wajda School in Warsaw and the National Film Television and Theatre School in Łódź, Poland. He is also an advisor and mentor on various international directing and screenwriting workshops.

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