The Producer’s Playbook: How to Make Films and Make Money
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Course Info
Course Details
Led by experienced producer Harriet Rees, this practical programme combines hands-on workshops, real-world case studies and open discussion with an exclusive studio visit, offering rare insight into how professional productions operate in practice.
Whether you want to produce independent films, work in television or better understand the business behind the screen, this course gives you a clear, practical foundation.
Structure and Delivery
- Practical workshops and masterclasses
- Case studies drawn from current industry practice
- Group exercises and peer feedback
- Guest industry perspectives
- Studio visit
- Tools and frameworks you can apply immediately to your own projects
Outcomes
By the end of the course, you will:
- Think and act with a producer’s mindset
- Understand how to take projects from concept to market readiness
- Have a clear roadmap for budgeting, financing and packaging
- Pitch with greater confidence and clarity
- Build connections with peers and industry professionals
- Receive a London Film School certificate of completion
What You Will Learn
Over five days, you will:
- Understand the producer’s role across development, pre-production, production, post and distribution
- Learn how to develop creative ideas into viable, financeable projects
- Build production budgets and schedules that balance ambition with realism
- Explore financing models including soft money, tax incentives, equity and co-productions
- Create compelling pitches and sales materials for investors, festivals and broadcasters
- Understand rights, contracts and legal essentials every producer must know
- Develop leadership, risk management and problem-solving skills for real-world productions
Who This Course Is For
This course is ideal for:
- Aspiring and emerging producers
- Directors and writers seeking strong producing literacy
- Filmmakers who want to understand how films are financed and delivered
- Creative professionals looking to strengthen their commercial skillset
No prior producing experience is required. Curiosity, commitment and a willingness to engage with practical challenges are all you need.
Participant Feedback
The course has consistently received strong feedback for its clarity, honesty and practical value, with participants highlighting its usefulness across different levels of experience and career stages.
“The course was extremely useful. Harriet taught me so much more about the industry and many details I had missed. I wish I had done her course sooner. It filled in all the holes in my knowledge.”
“Harriet’s course is unlike any other producing course I’ve done. She breaks down the technical aspects while sharing personal, honest insights about the realities of producing today.”
“The course is, quite simply, brilliant. I loved every minute and learnt so much.”
Tutor
Harriet Rees
ProducerHarriet Rees
ProducerHarriet produced snowboarding rom com Chalet Girl starring Felicity Jones, Ed Westwick and Bill Nighy, a classic British feelgood movie. Through her company Kaleidoscope Films, she’s producing features including The Bright Side Running Club by Josie Lloyd, to be directed by Sheree Folkson (Decoy Bride, Bridgerton), rom com #DateOurMum by Sarah Rickham, director Anthony Fabian (Mrs Harris Goes to Paris), Tenerife-set hen do comedy Girlfriends by Kefi Chadwick (Rivals), director Damon Thomas (Killing Eve) to star Lara Peake, Shalom Brune Franklin and Gina Gershon; and a spin off TV series of Chalet Girl with Two Brothers Pictures (Fleabag, The Tourist). Harriet set up Christmas comedy A Minor Miracle for Anton Corp, director Anthony Fabian, starring Colin Firth, Sophie Cookson, Olivia Williams and Lucien Laviscount.
Harriet started her career in script development, then ran industry body The New Producers’ Alliance for several years. She has produced award-winning short films, taught film producing at the National Film and Television School and the Met Films School, consulted on development and finance on many feature films, assessed projects for awards for Creative England and other industry bodies, and had 4 children along the way.