LONDON FILM WORKS
Courses
Industry • Camera, Directing, Editing, Writing
Sat, 19 Jul 2025 to Fri, 8 Aug 2025

Directing Summer School with Udayan Prasad

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Based on an exercise originally devised by FAMU (the Czech National Film School) this 3-week workshop explores the fundamentals of filmmaking from script to screen.

Course Info

Date:
Sat, 19 Jul 2025 to Fri, 8 Aug 2025
Times:
09:30 – 17:30
Duration:
3 weeks (2-days off in course)
Fee:
£4,750
Capacity:
12 participants

Based on an exercise originally devised by FAMU (the Czech National Film School) this 3-week workshop explores the fundamentals of filmmaking from script to screen.

Using an apparently straightforward event as its starting point – ‘A’ drops a handkerchief and ‘B’ picks it up – the workshop exposes, through a systematic and rigorous process of scrutiny, the complexities inherent in this, and indeed any scenario.

It goes on to examine the variations and possibilities which must be considered before the event can be translated first into a script, and then – via all the stages of prep, shoot and post production – onto the screen.

The primary areas covered are:

  • Script writing
  • Visual language
  • Choosing locations
  • Mise en scene
  • Performance/working with actors
  • Shooting
  • Editing and post production

This is a highly practical programme aimed at anyone who is serious about a career in film; from those about to apply to a major film school, to anyone wishing to improve their understanding of the craft before embarking on their own short films. At the end of the course each participant will receive a certificate of attendance, plus a USB of their scenes which may be used for showreel purposes or as part of an application portfolio.

Please note: Those who complete and submit an application by Sunday 23rd March 2025, will receive priority for a place. We will continue to accept applications after the early application deadline. Offers to subsequent candidates will be made subject to availability.

Course Outline

Let us imagine that we have to film the following scenario:

‘A’ drops a handkerchief and ‘B’ picks it up.

What is the story?

Do ‘A’ and ‘B’ know each other? What is the nature of their relationship? What do they want?

Why did ‘A’ drop the handkerchief? Was it accidental? Deliberate?

When did ‘B’ see the handkerchief? As it was dropped? Or after ‘A’ dropped it? Does ‘B’ return it? Keep it? Discard it?

What does the handkerchief signify?

Did ‘A’ and ‘B’ expect to see each other, or did they come upon each other by chance?

Whose story do we want to tell? A’s? B’s? A third party?

The point, of course, is that:

Everything begins and ends with the story.


Week One

Each participant will begin by shooting an exercise, impromptu, set in a single location in Covent Garden. The films will be edited and reviewed with a professional screenwriter, followed by a masterclass on script.

While taking part in acting workshops, each participant will then write a short script based on the ‘Dropped Handkerchief’ scenario. The scripts will be subject to rigorous constraints in locations, number of set-ups and camera movement.

The group will recce and prepare for their first shoots with a production manager, under the supervision of a director of photography tutor.

Week Two

In week two the participants will split into groups to shoot their scenes. In order to understand what an actor requires from a director, participants will fulfill the roles of both actor and director, reversing roles with their fellow participants.

After a review each group will be provided with an editor and a private editing suite, taking it in turns to prepare their first cuts.

The films will be reviewed as a group with a screenwriter, supervising editor and director of photography. Every decision made at each step of the production will be carefully scrutinised. Each participant will then revise their ‘Dropped Handkerchief’ script in the light of this experience.

At appropriate moments throughout the schedule, the group will also receive a series of illustrated seminars and masterclasses by professional filmmakers:

  • Light, space, colour, framing and movement by a Director of Photography.
  • Choice and manipulation of space by a Production Designer.
  • The use of Sound and Music by a Sound Designer.
  • The art and function of editing by an Editor.

 

Sumer School group shot

Week Three

Week three is where everything gets drawn together. Each participant will re-shoot their handkerchief scene, this time with professional actors and sound recordists. Participants will be expected to apply all of the lessons learnt from the first two weeks to produce a piece of work which reflects their learning at LFS.

And finally…the course will culminate with a dedicated screening day where all the final films will be thoroughly reviewed, analysed and discussed. The participants will welcome back the team of professionals who have been advising throughout the course for their final thoughts and feedback.

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