LONDON FILM WORKS
Courses
Industry • Script, Writing
Starting 22nd April 2025

Writers’ Gym (online)

This 8-week workshop with screenwriter Ellis Freeman aims to refresh and deliver an injection of creative energy into your writing process.

Course Info

Date:
Starting 22nd April 2025
Times:
17:00 – 19:30
Duration:
8 Sessions across 3 months: starting 22nd April, 29th April, 6th May, 13th May, 20th May, 27th May, 3rd June, 10th June
Fee:
£650
Capacity:
8 participants

Has the fun gone out of your writing? Do you feel stuck, finding it hard to make a routine? Are you looking for new ways into storytelling?

Developed over twenty years of workshops, the Writers Gym’ is a collection of games and exercises to stretch your writer’s muscles and offer insights into the mechanisms of story. The approach is a practical one; solving creative problems, with practical tools to help the writer to find new writing habits.

Previous Writers’ Gym participants have ranged from complete novices to experienced feature directors. Whatever the level, we all face the empty page and the Writers’ Gym is there to help find new ways to fill it.

This workshop will also give you the chance to develop as writers and develop a piece of writing over eight weeks, getting feedback on a story treatment of up to 8 pages from Ellis and the group.

There will be also be opportunity for one-to-one interim Zoom with Ellis to discuss a project proposal during the course.

The class will provide a chance to connect to other writers, sympathetic to your work, who can provide a support network beyond the course.

Come with an open mind, ready to play. (Please note: this is an online workshop which takes place via Zoom.)

Course Outline:

Creativity and inspiration

  • Setting your mind into a creative state.
  • Harnessing that creative energy.
  • Journalling.
  • Finding out what you want to write.
  • How to keep improving as a writer.

Characters

  • What makes for interesting characters?
  • Tools for investigating character
  • Empathetic characters
  • Change
  • From character to story.
  • From relationships to story.

Plot

  • Story mechanisms – what moves the story forward?
  • Story questions; What is the audience asking themselves?
  • Loglines – finding the core of an idea.
  • Structuring an idea.
  • Dramatic Irony.
  • Tips for writing summaries.
  • Using reference films.
  • Watching films as a screenwriter

Theme

  • What is Theme?
  • Clashes of beliefs.
  • Dilemmas.
  • Brainstorming Theme.
  • From Theme to Story.

Emotion

  • Finding emotion into your work.
  • Creating an emotional journey for the characters and the audience.
  • Emotion and genre.

Scenewriting

  • Tips for scene writing.
  • Dialogue and subtext.

Feedback

  • Giving good feedback
  • How best to receive feedback
  • Approaches to rewriting

Testimonials

“It allowed me to give structure to my ideas through the variety of suggestions made by the tutor to nurture and harness creativity such as artists day and writing ideas on cards to easily move around. It was fun, inclusive, supportive, creative. Very comfortable atmosphere to share.”
Participant, 2023
“Ellis is a fantastic tutor who shares his true joy for his craft and makes everything so inspiring and motivated. I really enjoyed spending my Tuesday evenings learning with the lovely group of writers. I would recommend the course for sure, depends where the person is at in their writing journey though, if they’re at the beginning then definitely yes.”
Participant, 2024

Tutor

Ellis Freeman

Screenwriter

Ellis Freeman

Screenwriter

Ellis is a London born screenwriter and writing teacher.  His credits include Princesa,  which screened at Sundance and won best foreign narrative at the LA Outfest; comedy feature, January 2nd  and the acclaimed short, Coming Down.

He began his teaching journey at the London Film School over twenty years ago where he developed The Writers Gym, a series of creative workshops for screenwriters, directors and producers. The workshop became a laboratory to explore writing, the creative process and the nature of storytelling itself.

Over the years, he has taken the gym to many film schools and other artistic institutions including the Film London, the AFI conservatory in Los Angeles; The Scuola Holden in Turin; Calarts; Famu in Prague; the Zurich University of the Arts; the Alma Löv Museum in Sweden and the Berlinale Talents.

For five years he was Head of Screenwriting at the DFFB in Berlin where he still teaches regularly and mentors. He also works as script consultant on features and shorts as well as mentoring emerging writer/directors in their development process.

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